Module Database Search
MODULE DESCRIPTOR | |||
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Module Title | |||
Narrative Film Making | |||
Reference | CB3041 | Version | 3 |
Created | March 2021 | SCQF Level | SCQF 9 |
Approved | May 2019 | SCQF Points | 30 |
Amended | September 2021 | ECTS Points | 15 |
Aims of Module | |||
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To enable students to demonstrate the theoretical understanding and practical application of narrative filmmaking skills. |
Learning Outcomes for Module | |
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On completion of this module, students are expected to be able to: | |
1 | Apply practical skills and techniques to produce a narrative film project in an industry authentic environment. |
2 | Demonstrate critical synthesis between theory and practice in relation to the methods of creative concept generation and intended audience/markets. |
3 | Demonstrate and apply understanding of the key stages of narrative filmmaking including screenwriting, producing, directing, cinematography and editing. |
4 | Develop team working skills in collaborating effectively with peers. |
Indicative Module Content |
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The taught content will be comprised of lectures, labs, guest speakers and digital online classes and exercises. This module will offer students the chance to be hands-on in narrative film production and work in an assigned production role alongside their peers in collectively producing a short narrative film project. The module will deliver the teaching of the various stages of creative/narrative filmmaking such as concept development, screenwriting, producing, directing, cinematography and editing. It is envisaged that this will be a "learn by doing" experience and one where the student will get an accurate experience of what is expected in this industry as part of a collective creative unit. |
Module Delivery |
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This module will be delivered through a combination of lectures, seminars, hands-on workshops and guest speakers. The content of the classes will be structured in a way that best accommodates the actual process of the visual project production stages. |
Indicative Student Workload | Full Time | Part Time |
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Contact Hours | 40 | N/A |
Non-Contact Hours | 260 | N/A |
Placement/Work-Based Learning Experience [Notional] Hours | N/A | N/A |
TOTAL | 300 | N/A |
Actual Placement hours for professional, statutory or regulatory body |   |   |
ASSESSMENT PLAN | |||||
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If a major/minor model is used and box is ticked, % weightings below are indicative only. | |||||
Component 1 | |||||
Type: | Coursework | Weighting: | 100% | Outcomes Assessed: | 1, 2, 3, 4 |
Description: | Portfolio Assessment 100% |
MODULE PERFORMANCE DESCRIPTOR | |
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Explanatory Text | |
The calculation of the overall grade for this module is based on 100% weighting of C1. An overall minimum grade D is required to pass the module. | |
Module Grade | Minimum Requirements to achieve Module Grade: |
A | The student needs to achieve an A in C1. |
B | The student needs to achieve a B in C1. |
C | The student needs to achieve a C in C1. |
D | The student needs to achieve a D in C1. |
E | The student needs to achieve an E in C1. |
F | The student needs to achieve an F in C1. |
NS | Non-submission of work by published deadline or non-attendance for examination |
Module Requirements | |
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Prerequisites for Module | None. |
Corequisites for module | None. |
Precluded Modules | None. |
INDICATIVE BIBLIOGRAPHY | |
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1 | BROWN, B., 2011. Cinematography: theory and practice: imagemaking for cinematographers, directors, and videographers. London: Focal Press. |
2 | HONTHANER, E.L. 2010. The Complete Film Production Handbook. Elsevier / Focal Press; 4th edition. |
3 | LOON, M., ed., 2016. Professional practice in learning and development: how to design and deliver plans for the workplace. London: Kogan Page. |
4 | MURCH, W. 2001. In the Blink of an Eye: A Perspective on Film Editing. Silman-James Press; 2ndedition. |
5 | STRADLING, L., 2010. Production management for TV and film. York: Methuen Drama. |
6 | SNYDER, B. 2005. Save the cat! The last book on screenwriting you'll ever need! Micheal Wiese Productions. |