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Module Title
Cinema and Society

Keywords
censorship; distribution; ideology; propaganda; representation; signs and meaning;

ReferenceBS4305
SCQF LevelSCQF 10
SCQF Points15
ECTS Points7.5
CreatedMay 2006
ApprovedAugust 2010
AmendedAugust 2012
Revision No.2
Prerequisites for Module

None in addition to SCQF 10 entry requirements or equivalent.

Corequisite Modules

None.

Precluded Modules

None.

Aims of Module

To develop a critical understanding of visual, narrative and ideological structures in cinema.

Learning Outcomes for Module

On completion of this module, students are expected to be able to:

1. Analyse critically the public and ideological functions of cinematic form
2. Examine critically key theoretical frameworks relevant to cinema and film
3. Evaluate the changing context of audience positioning and reception
4. Identify and evaluate critically key filmmakers and movements.

Indicative Module Content

Key theoretical frameworks, filmmakers and movements; motion picture industry; audience reception and fan culture; cinematic signs and meaning; status of early cinema; developments and departures in film as classic realist text; social cinema; re-imagining history and national identity; representation of class, race, gender and sexuality; censorship and film board classifications.

Indicative Student Workload

Contact Hours

Full Time
Assessment
20
Lectures
12
Tutorials / Screenings
24

Directed Study

 
Directed Reading
42

Private Study

 
Private Reading/Viewing
52

Mode of Delivery

Lectures, tutorials, directed reading and screenings.

Assessment Plan

Learning Outcomes Assessed
Component 1 1,2,3,4

100% coursework assignment.

Indicative Bibliography

1.BORDWELL, D., 2005. The Cinema of Eisenstein. New York: Routledge.
2.DYER, R. 1997. White: essays on race and culture. London: Routledge.
3.DYER, R., 2004. Heavenly bodies: film stars and society. 2nd ed. London: Routledge.
4.MAYNE, J., 1993. Cinema and spectatorship. London: Routledge.
5.NEALE, S. (ed), 2000. Genre and contemporary Hollywood. London: Routledge.
6.PHILLIPS, W. H., 2009. Film: an introduction. 4th ed. Basingstoke: Palgrave.
7.STURKEN, M. & CARTWRIGHT, L., 2009. Practices of looking. 2nd ed. Oxford: Oxford University Press.


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